PRESS PAGE

Photo 1
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Headshot
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[Peter James]

Photo 2
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PDF hi-res

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LT logo font
(Spill Milk)

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more web photos here

(some files you'll need to right click, save target as)

     L a t e  T u e s d a y
        est. Feb, 2000 AD

| onesheet pdf | bio - below | stage plot: acoustic / full band | official website 

Harmony woven indiepop goodness.
Or "Suburban Pop Revival".

"This is a lovely album! What beautiful voices! I love every song on it."
- Rosalie Howarth, KFOG (San Francisco/San Jose)

"...I'm impressed with this album. I'll be adding "Simply Beautiful"... Extend my praise to the band, please." - Kevin Welch, MD @ KINK FM (Portland's major AAA station)

"...These three ladies blend the folk, pop and country genres into a polished piano/guitar-heavy sound that's smart, mesmerizing and introspective." - Jade Walker, Siren Song Magazine

"...Late Tuesday’s latest offering of vocal-oriented, mellow soothe is their strongest to date.."
- Matt Fu, Bellingham Weekly

"The buzz is building about Late Tuesday, a trio of lovely ladies from Bellingham. And it’s certainly not surprising, especially after listening to their interwoven harmonies accompanied by piano, acoustic and electric guitars and Rhodes. Their voices are strong and independent, yet work well together and bring to mind the aural beauty of the Indigo Girls. Late Tuesday have toured out to California and Utah but still find a strong and faithful following in Western Washington. They’ve played at venues like The Tractor Tavern and EMP and have even headed east to play the Gorge! No matter where they go, their fans follow. They’ve sold over 6,000 CDs in less than 2 years without formal distribution – which is a pretty impressive feat! Late Tuesday’s songs of regret, heartache and mismatched relationships are so simply accessible that they can’t help but continue to gain the band fans from all over."
- From 103.7 The Mountain's KMTT.com

"These girls have done it again...they've created a moving, energetic album chock full of soaring vocals and splendid harmonies. If you like Leah Morgan, Ani DiFranco, Indigo Girls or Maren Ord, you will probably love this group." 5/5 stars - Discovering Artists

"...Late Tuesday’s latest offering of vocal-oriented, mellow soothe is their strongest to date. ...the album stays fresh all the way through. More risks, via arrangements and melodies, are taken on “Remember” which pulls the band farther from past comparisons to leading female artists of the mainstream and grounds them further in their own right."
- Matt Fu, The Bellingham Weekly

"...the best parts...have gotten better. Check out the Fender Rhodes solo on "Summer Sun," just after the track's dexterious chorus. "To Not Be Let Down" bounces with a wee twang and Beach Boys shoutouts, while "Simply Beautiful" and "The Upright" boast full sounds that could send these tracks into more ears than Late Tuesday's previous efforts." - Tony Stasiek, Bellingham Herald

"I'm on my second listen to the new disk and am thoroughly enjoying it! Nice work!"
- Don Hurley, PD @ KAFE 104.3 FM (Major AC station from Vancouver BC to Seattle)

"Wonderful harmonies, well-crafted arrangements — to be sure . . . but what really makes this album a "must-have" is quite basic: the songs, the songs, the songs. These talented ladies have an amazing ability to write songs that have meaning and beauty — something lacking in so much contemporary music. This is an outstanding follow-up to "Looking For Flowers Again" — unexpectedly so. It shows tremendous growth in their artistic output." An editor's pick for 2004. - The Discerning Reader

“Remember We Forget” has vocal inflections reminiscent of Sarah McLachlan’s “Surfacing” with lyrical structure similar to Ben Folds. The 10-track disc is packed with the kind of lush arrangements and confessional songwriting that keep coffeehouses in business, and gives major-label A&R reps something to write home about." - Casey McNerthney

"...[LT's songs] are ethereal things of beauty - wrapping acoustic guitars and soaring harmonies around catchy hooks and romantic charm." - What's Up Magazine

"We just love this album. It has that warm "coffehouse" feel — wonderful acoustic
harmonies, thoughtful lyrics . . . a "quiet beauty." [3.5 / 4 stars] -The Discerning Reader

"Late Tuesday write immaculately beautiful songs. If there's any justice in this world they will be the next Bangles."    - Acoustic Guitar Workshop

"The Bellingham trio's second CD strolls in like a girl with her head in the clouds and departs like a tall-walking FEE-male with enough heart to hold the world inside."
– Bellingham Herald, 2002

-Winner of the 2002 Emerging Musical Artists Award from the Northwest Recording Academy (GRAMMY organization)

-Net Music Countdown award winner, 2002
  (offered a showcase at EAT'M conference in Las Vegas)
-KISS 106.1 Battle of the bands finalist, 2001

RIYL: [indie-folk-pop, Sarah Mclachlan/Ben Folds/Sixpence/Indigo Girls] 

Bio:

Late Tuesday’s approach is deceptively simple. With the disarming facade of three young, pretty girls with guitars and pianos, you expect a simple ordeal of acoustic coffeeshop-folk, but Late Tuesday has made a name for themselves by overturning expectations. Their style embodies a full range of influences, from low-key singer-songwriters like Aimee Mann to big-sound folk-pop stars like Sarah McLachlan and even Ben Folds. Writing all their own material and playing all their own instruments, this trio stands out from the crowd with powerful melody, complex harmonies, and an uncommon ability to stir the emotions.

Late Tuesday formed in early 2000 and are a three-piece consisting of Dana Little (vocals, keys), Tara Ward (vocals, guitar, keys) and Jocelyn Feil {vocals, guitar). They soon acquired a backup rhythm section to fill out their sound, but the girls are the heart of the band, sharing vocal and songwriting duties equally between the three of them. This effortless blend of three distinct individual styles creates a dynamic that is always fresh and full of motion. It shines especially bright in their fun, energetic live shows, which have drawn crowds to such notable venues as the EMP, Mt. Baker Theater, UW, WWU, The Paradox, The Tractor, The Wild Buffalo, Folklife Festival, and sold-out BlueTree productions.

Their regional following has increased by leaps and bounds with each progressive release, beginning with their highly successful self-titled debut in 2001, followed by 2002’s “Looking for Flowers Again,” and this year’s “Remember We Forget.” They have sold over 6700 CD’s to date, and those numbers continue to climb as they tour an ever-widening regional circuit.

Late Tuesday’s latest release sees them developing and maturing as artists, with a new level of emotional and sonic complexity, diversity, and experimentation that pushes the boundaries of the folk-pop genre. This strong step forward promises to widen their appeal to previously untouched corners of the music world as they continue to share their unique voice throughout the western U.S. and beyond. . ...continued

BIO blurb 2: A foundation of acoustic guitar, piano, and Rhodes establishes a framework for the beautiful interwoven vocal harmonies of Late Tuesday. The band creates musical tapestries reminiscent of pop-folk singers such as Sarah McLachlan and the Indigo Girls, while establishing a sound that is uniquely their own

More press pages:

Mindhead [indie pop/rock, Travis/Beatles/Elliot Smith]


 

BlueTree.Artists

info2-at-bluetreeartists.com
www.bluetreerecords.com